At that time, he was like this kind of mother-hen figure for young journalists,” [music critic Nick] Kent says. “They’d send him their copy, and he’d give them advice.” He sums up Bangs’s approach to music as a matter of trying to divine its moral centre, or the lack of one: “When you listen to this record, what are these people trying to sell you? It’s not enough just to like the chord progression on a couple of tracks and the cowbell sound. You got to get beneath the surface: if these people turned up on your doorstep, would you invite them in? And if not, why are you listening to their music?